10.018 file audio bebas royalti untuk "Go Tell It On The Mountain"

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

John Philip Sousa's march "Comrades of the Legion" (1920), from "The President's Own" United States Marine Band's album "Semper Fidelis": Music of John Philip Sousa; Colonel John R. Bourgeois, Director

Recording of Scott Joplin's Maple Leaf Rag

Symphony No. 4 in F minor, Op. 36. 4th movement "Finale: Allegro con fuoco (F major)".

An instrumental U.S. recording of "Wilhelmus van Nassouwe", the Dutch national anthem.

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

President Roosevelt's Pearl Harbor Day message to joint session of Congress asking for a declaration of war with Japan. "The Star-Spangled Banner" is played on this recording after the speech. NARA claims the entire speech to be "Unrestricted"

Scott Joplin - 04 - The Entertainer 1902 piano roll

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains. Tradycyjna kongijska piosenka w języku lingala nagrana w 1931 roku podczas międzynarodowej wystawy kolonialnej (fr. exposition coloniale internationale) w Paryżu. Čeština: Tradiční píseň z Konga v jazyce ngalština předváděná v roce 1931 na výstavě Paris Colonial Exposition v Paříži. Traditional Congolese song in Lingala recorded in 1931 at the Paris Colonial Exposition. Македонски: Конгоанска народна песна на јазикот лингала. Снимка од Париската колонијална изложба, 1931 г. Традиционная конголезская песня на лингала, записанная в 1931 году на Парижской колониальной выставке.

Ding! dong! merrily on highDing! dong! merrily on high, englisches WeihnachtsliedÜbertragung (R.F.): Ding dong! fröhliches Geläut im Himmel und auf Erden! Ding dong! wunderbare Zeit: Gott kommt, ein Mensch zu werden. Gloria, hosanna in excelsis! Engel preisen Gottes Rat durch alle Himmelssäle. Menschen, kündet seine Tat, stimmt ein aus voller Kehle: Gloria, hosanna in excelsis! Wenn die Heilge Nacht beginnt, lasst alle Glocken klingen! Und, berührt von diesem Kind, hört niemals auf zu singen: Gloria, hosanna in excelsis!

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Enregistrement de l'exposition coloniale. Musique traditionnelle. Chanson lingala. Chant d'invitation à danser / Mmes Maboumana, Badolo, Mahoukou... [et al.], chant ; accompagnement de sanza et de battements de mains.

Musique traditionnelle. Il est allé se baigner : chant de féticheur du Moyen-Congo [accompagné au nsambi (pluriac)] ; recueilli et enregistré par H. Pepper.

Musique traditionnelle. Il est allé se baigner : chant de féticheur du Moyen-Congo [accompagné au nsambi (pluriac)] ; recueilli et enregistré par H. Pepper.

Chants de féticheur du Moyen-Congo ; recueillis et enregistrés par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

Musique traditionnelle. Danses Balouka du Moyen-Congo ; recueillies et enregistrées par H. Pepper ; quatre chanteurs accompagnés du luth Ngonfi

Musique traditionnelle. Dieu a créé la mort : danse Madinga du Moyen-Congo ; recueillie et enregistrée par H. Pepper ; Paul Carre, chant, guit.

Chant de féticheur Lari accompagné au nsambi (pluriac) ; recueilli et enregistré par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

Musique traditionnelle. Balouka : danse Bembe du Moyen-Congo ; recueillie et enregistrée par H. Pepper ; quatre chanteurs accompagnés du luth Ngonfi

Musique traditionnelle. Toi Carre et la rumba : danse Lari du Moyen-Congo ; recueillie et enregistrée par H. Pepper ; Paul Carre, chant, guit.

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Le régiment de Sambre et Meuse (circa 1870), sung by Pierre d'Assy (1872 — 1911) Lyrics: fr:Régiment_de_Sambre-et-Meuse

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

A modified stereo recording of the Indonesian dialect of the Malay language, performed by the KOM.

A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.

1st release date: 1934 1st recording date: 1934 Place of recording: Camden Church Studio No. 2 (Trinity Church Studio), Camden, New Jersey (United States) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Conductor: Leopold Stokowski (1882-1977) Performer(s): Philadelphia Orchestra Vocal range: instrumental Title/Work: Nutcracker Suite, Op. 71A Content: Waltz of the Flowers (Conclusion) Genre(s): Ballet suite (orchestral suite)

Stereo recording of the Internationale in the Russian language.

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

A song from The Remains of Tom Lehrer

La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.

The Japanese Sandman (1920), by Paul Whiteman and His Ambassador Orchestra

God Defend New Zealand, the national anthem of New Zealand.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.